【晃恍】-林育正雕塑個展

---

日常絮語在空間中擺盪，細節隱藏在斑斕繁瑣之中，在寧靜的氛圍中詮釋生活的突兀。反覆排列整理那些已被說出的，並任由時間、空間與物件的恣意搖擺，擺晃著空間中的思緒與念想。
 
日常空間中，漂浮著諸多乘載著思緒的訊息。
據有一地但時常被忽視的水泥塊體、角落棄物、剎那閃動的光影軌跡、空氣中懸浮的聲響雜訊、浮游的微小塵埃......
有著太多龐大事物沉積於城市中諸多微小之中。
一塊不起眼的建築殘骸遺置於城市一角，也許獨自紀錄了一段關於這座城市的記憶，而這段渺小的記憶片段正隨著城市的拆建重構過程中逐漸消逝。
 
重新組構那些易見的日常，以聲響、造型、色彩、光影……等概念，揉合現成物翻模再製、切割重組、扭轉變形…….各式手法，
將自身經驗體現於作品之中，讓作品呈現非單一概念，而是一種碎塊之合成。

​這樣的翻製、模仿或挪用，看似寫實地再現了生活當下，但在每個真實顫動的表象底層，不合理的物體錯置其實是一種偽製的徹底實踐。

這種偽製消解了物件的日常功能性，顛覆了人與物、用與無用的既定關係，牽引出關於物體背後更深一層的系統聯想。
 
這些日常生活物件之間此起彼落的微小顫動，散發出或同或異的訊息，以若有似無的多頻雜訊，
勾起我們對於日常瑣事的熟悉。有若恍惚的瞬間，只是為了那轉瞬而逝的感動。

Daily dialogues swing in the given space, with details concealed in comprehensive hue, exhibiting the abruptness of daily life in quietness. Repeated integration of uttered content, allows the concept of time, space and object to swing trails of thought.
 
Our daily lives are full of floating thought-carrying messages. Concrete blocks, abandoned items in the corner, a sudden flash of lighting image, audio disturbances within the air, floating minute particles of dust…all these share an existence with us but often go unnoticed. Too much has accumulated in the little things of the city. A seemingly unimpressive building remains within the edge of a city might be the memoir of the city’s past. These memories are gradually lost as the city dismantles buildings in the name of urban renewal.
 
Reconstruction of the common things, concepts such as sound, design, color, lighting etc. are used to shape modules which are repeatedly used, cut and reformed, twisted and deformed among other methods to exhibit personal experience within the projects so that the projects are not of singular concepts but a combination of many.
This form of manufacture, imitation or usage appears to achieve realism of daily live, under the surface of every truth, unreasonable placements is the ultimate counterfeit. This form of counterfeit the neglects the daily functions of objects, upheaves the existing relationship between humans, object, the useful and the useless, drawing out a deeper systematic association about the object.
 
The micro-flutters between daily objects emit both contradicting agreeing messages that hook our familiarity with all that is daily through barely detectable multi-frequency noise. It’s as if the sudden enlightenment exists solely for the abrupt yet brief moving sensation. 

林育正

    創作主軸為思索自身窩居於城市之中的空間身分論述，藉由物件進入空間去提引習以為常而忘卻之建築角落，仰或是自身對於建築物及城市訊息的吸收轉化成概念後組裝成作品裝置。
   
   2010年前創作路線以製造目的未明的無用金屬機械，以進入建築空間中去進行類考古形式的挖掘為主要創作形式，藉由此類考古挖掘的方式試圖去凸顯建築物垂直水平的物理狀態以及提示我們已習以為常的建築角落(如地面、牆角、天花板等)的存在。
   2010年開始創作路線修改為箱構(BOX-OLOGY)及恍惚流轉的小城雜碎(Wandering Fragments of CITY)兩大軸線，藉由翻模再製建築物水泥、磚塊等建築殘骸，並於其中組裝入”自製”的水泥齒輪、自製水泥機械結構(mechanism)、現成物翻製水泥物件等，

試圖去假造一個恍若年代久遠的文明化石早已存在於建築物體之中默默運作低語呢喃的弔詭氛圍，藉由機械運轉反覆之特性象徵藝術家所感知到都會生活中之重複無奈的循環狀態。

–國立台灣藝術大學雕塑系畢業(1998~2002)
–私立華岡藝術學校美術科畢業 (1994~1997)
1998-2002, Bachelor of Fine Art, Department of Sculpture, National Taiwan University of Art;
1994-1997, Graduated from Taipei Private Hwa－Kang Art School;
 
經歷
2017-蕭壟國際藝術村駐村藝術家
2017-台南新藝獎得主
2016-高雄國際鋼雕藝術節--嬉型鋼
2017 ,Artist in Residence, Soulangh Artist Village
2017 ,The Winner of Next Art Tainan
2016 ,Kaohsiung International Steel & Iron Sculpture Festival "Steel Play"