[ 緩慢地・溫柔著 ]
李翡文 襲園個展
2024.02.17 (六) - 2024.05.18 (六)
[ 緩慢地・溫柔著 ]
開幕茶會｜ 2024.03.02 (六) 14：00 - 16：00
策展人 ｜ 林郁晉 Lin Yu Chin
展覽時間｜ 2024.02.17 (六) - 2024.05.18 (六)
展覽地點｜ 襲園美術館 桃園市中壢區青埔九街57號
協辦單位：僕人空間設計有限公司、襲園生活應用頻道有限公司
「 我用溫柔的姿態對應這個紛雜的世界，緩慢且堅定著。 」─── 李翡文。
線條的流動、霧氣感的肌理和透薄的色塊相互交錯，
呈現出沈靜而優雅的和諧頻率，以及生命不斷的循環。
李翡文將自己的感受放大，置身於幻化的自然之中，專注捕捉每一瞬片刻。
透過繪畫，表現出多種元素的自然。
觀看她的作品，
挑起了人們最誠摯的感受，
好像生命某種實際存在的疆域，被刻畫了出來，
以堅定且溫柔之姿，
邀請眾人共同積極地迎向生命中所有的未知。
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李翡文 Li Fei Wen
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『我用溫柔的姿態對應這個紛雜的世界，緩慢且堅定著。』─── 李翡文。
新冠疫情過後，本以為世界將迎來喘息的機會，卻發現那段困居於家中的時光反而是最平靜的。社會尚未整頓好步伐，卻陸續爆發烏俄戰爭、通膨危機、全球缺糧、極端氣候等危機；前些日子更是捎來日本石川地震的消息，無數的全球危機同時併發……未知的未來令人驚恐，不安正以加速度的方式吞噬著這個世界。擔憂和害怕接踵而至，已成為當代人的日常現實。
女性在懷孕的時候，被視為她們最感性的時刻，因為在她們身體內部正孕育著一個新的生命。自從擔任「母親」的角色後，李翡文的身心靈便進入了另一層次，展現了我們未曾領悟過的堅忍和從容，是以更穩定且優雅的姿態面對加速度的生活循環。
「緩慢（Gently）/溫柔（Tenderly）」指向了李翡文這幾年所堅信的態度，以及她在創作中試圖揚起的感受。 2024年李翡文襲園個展《緩慢地 溫柔著 Gently . Tenderly 》，通過這些年身份的轉變和對世界的感知，她將內在感知的累積，轉化為某種心靈產物的再造，成為純粹由「受感」（percept）、「情動」（affect）所組構而成的生機世界。藉由繪畫表現自然中的多種元素，她將自己的感受放大，捕捉每一瞬片刻。正是這樣的姿態，讓她能夠在繪畫的過程中關照世界，靜下心來感受一切，進而從所見的表面感知之物的彼岸中尋求藝術的真實。
作品中線條的流動、霧氣感的肌理、俐落的筆觸及透薄的色塊相互交錯，呈現出沈靜而優雅的和諧頻率，以及生命不斷的循環，表露了一種純淨、無限和無條件的自由。她透過繪畫齊平了種種物體，轉化了它們自身的在場性，不將過往的成見及否定扎入，從而讓人們認識到更大尺度的相互關聯。展現對於自然、宇宙的思考及體悟，讓堆疊於記憶中模糊的存在，凝縮成心靈所涵蓋之不可言說的「感知裡的真實」。觀看李翡文的作品，挑起了我們最誠摯的感受，好像生命某種存在於遠方的實際疆域被刻畫了出來。
在《緩慢地 溫柔著 Gently . Tenderly 》中，「感受、自然、風景、抽象」經歷了重新思考。這是藝術家在生命底蘊裡的深邃之境，一種難以言說的狀態，或許緩慢、或許溫柔，並在其中暗藏著強勁的流動和俐落的瀟灑。透過創作建築起與之對話的彼岸。如何造型這樣的感覺團塊，成為當代抽象心靈風景的體現，是本展特別關注的。這不僅是記憶的堆疊，更是意識的凝縮，一種脫離身體躍升之狀態，同時是視覺感知和藝術信念相互編織的產物。它將一切注意力暫時淡出所見之真實，試圖走進事物固有的表像之外，作為某種溫暖/沈著的態度面對此岸世界不安的景況，並以這份堅定且溫柔之姿，積極地去迎向所有的未知。
藝術的任務，不僅僅是讓日常事物中具有普遍性的變得可見，更是將具有普遍性的從日常事物中解放出來。
“With a gentle demeanor, I respond to this chaotic world, moving slowly and steadfastly." ── Li Feiwen.
After the COVID-19 pandemic, the anticipated respite for the world was overshadowed by the discovery that the time spent confined at home was surprisingly the most tranquil. Society struggled to find its footing, facing successive crises such as the Russo-Ukrainian War, inflation, global food shortages, extreme weather, and the recent earthquake in Ishikawa, Japan. The unknown future induces fear and anxiety, rapidly engulfing the world.
Pregnancy is often regarded as the most sensitive period for women, as within their bodies, a new life is being nurtured. Ever since she assumed the role of a "mother," Li Feiwen has transcended into another level of being, exhibiting in her work a resilience and composure previously unseen. Facing the accelerated pacing of everyday life, she adopts a stable and elegant stance
The exhibition "Gently . Tenderly" in 2024 reflects Li Feiwen's convictions and the emotions she attempts to evoke through her art. Transitioning identities and perceiving the world differently, she transforms accumulated internal perceptions into a spiritual creation, a vital world constructed purely from perception and affect. Through painting various elements of nature, she amplifies her feelings, capturing each fleeting moment. This approach allows her to contemplate the world, feel everything deeply, and seek the true essence of art beyond surface perceptions.
The flowing lines, mist-like textures, precise brushstrokes, and translucent color blocks in her work intertwine to present a serene and elegant harmony, revealing the continuous cycle of life. Li Feiwen levels various objects through her paintings, allowing people to recognize larger-scale interconnections without embedding past biases and denials. Her contemplation and realization of nature and the universe condense the vague existence stacked in memory into the indescribable "truth in perception." Viewing Li Feiwen's work evokes sincere emotions, as if the actual realm of life existing in the distance is portrayed.
In "Gently . Tenderly," the reconsideration of "sensation, nature, landscape, and abstraction" delves into the profound realms of the artist's life—a difficult-to-express state, perhaps slow, perhaps gentle, concealing strong flows and graceful spontaneity within. The exhibition focuses on shaping these feeling clusters, becoming an embodiment of contemporary abstract spiritual landscapes. It goes beyond memory stacking, condensing consciousness—a state of elevation detached from the body, interweaving visual perception and artistic beliefs. Temporarily fading attention from the visible reality, it attempts to move beyond the inherent representations of things, facing the unsettling world on this side with a warm and composed attitude. In this firm and gentle stance, Li Feiwen actively embraces all that is unknown.
The mission of art is not only to make universal aspects visible in everyday things but also to liberate the universal from the confines of the mundane.
(文・林郁晉 Text by Lin Yu-Chin)
新冠疫情過後，本以為世界將迎來喘息的機會，卻發現那段困居於家中的時光反而是最平靜的。社會尚未整頓好步伐，卻陸續爆發烏俄戰爭、通膨危機、全球缺糧、極端氣候等危機；前些日子更是捎來日本石川地震的消息，無數的全球危機同時併發……未知的未來令人驚恐，不安正以加速度的方式吞噬著這個世界。擔憂和害怕接踵而至，已成為當代人的日常現實。
女性在懷孕的時候，被視為她們最感性的時刻，因為在她們身體內部正孕育著一個新的生命。自從擔任「母親」的角色後，李翡文的身心靈便進入了另一層次，展現了我們未曾領悟過的堅忍和從容，是以更穩定且優雅的姿態面對加速度的生活循環。
「緩慢（Gently）/溫柔（Tenderly）」指向了李翡文這幾年所堅信的態度，以及她在創作中試圖揚起的感受。 2024年李翡文襲園個展《緩慢地 溫柔著 Gently . Tenderly 》，通過這些年身份的轉變和對世界的感知，她將內在感知的累積，轉化為某種心靈產物的再造，成為純粹由「受感」（percept）、「情動」（affect）所組構而成的生機世界。藉由繪畫表現自然中的多種元素，她將自己的感受放大，捕捉每一瞬片刻。正是這樣的姿態，讓她能夠在繪畫的過程中關照世界，靜下心來感受一切，進而從所見的表面感知之物的彼岸中尋求藝術的真實。
作品中線條的流動、霧氣感的肌理、俐落的筆觸及透薄的色塊相互交錯，呈現出沈靜而優雅的和諧頻率，以及生命不斷的循環，表露了一種純淨、無限和無條件的自由。她透過繪畫齊平了種種物體，轉化了它們自身的在場性，不將過往的成見及否定扎入，從而讓人們認識到更大尺度的相互關聯。展現對於自然、宇宙的思考及體悟，讓堆疊於記憶中模糊的存在，凝縮成心靈所涵蓋之不可言說的「感知裡的真實」。觀看李翡文的作品，挑起了我們最誠摯的感受，好像生命某種存在於遠方的實際疆域被刻畫了出來。
在《緩慢地 溫柔著 Gently . Tenderly 》中，「感受、自然、風景、抽象」經歷了重新思考。這是藝術家在生命底蘊裡的深邃之境，一種難以言說的狀態，或許緩慢、或許溫柔，並在其中暗藏著強勁的流動和俐落的瀟灑。透過創作建築起與之對話的彼岸。如何造型這樣的感覺團塊，成為當代抽象心靈風景的體現，是本展特別關注的。這不僅是記憶的堆疊，更是意識的凝縮，一種脫離身體躍升之狀態，同時是視覺感知和藝術信念相互編織的產物。它將一切注意力暫時淡出所見之真實，試圖走進事物固有的表像之外，作為某種溫暖/沈著的態度面對此岸世界不安的景況，並以這份堅定且溫柔之姿，積極地去迎向所有的未知。
藝術的任務，不僅僅是讓日常事物中具有普遍性的變得可見，更是將具有普遍性的從日常事物中解放出來。
“With a gentle demeanor, I respond to this chaotic world, moving slowly and steadfastly." ── Li Feiwen.
After the COVID-19 pandemic, the anticipated respite for the world was overshadowed by the discovery that the time spent confined at home was surprisingly the most tranquil. Society struggled to find its footing, facing successive crises such as the Russo-Ukrainian War, inflation, global food shortages, extreme weather, and the recent earthquake in Ishikawa, Japan. The unknown future induces fear and anxiety, rapidly engulfing the world.
Pregnancy is often regarded as the most sensitive period for women, as within their bodies, a new life is being nurtured. Ever since she assumed the role of a "mother," Li Feiwen has transcended into another level of being, exhibiting in her work a resilience and composure previously unseen. Facing the accelerated pacing of everyday life, she adopts a stable and elegant stance
The exhibition "Gently . Tenderly" in 2024 reflects Li Feiwen's convictions and the emotions she attempts to evoke through her art. Transitioning identities and perceiving the world differently, she transforms accumulated internal perceptions into a spiritual creation, a vital world constructed purely from perception and affect. Through painting various elements of nature, she amplifies her feelings, capturing each fleeting moment. This approach allows her to contemplate the world, feel everything deeply, and seek the true essence of art beyond surface perceptions.
The flowing lines, mist-like textures, precise brushstrokes, and translucent color blocks in her work intertwine to present a serene and elegant harmony, revealing the continuous cycle of life. Li Feiwen levels various objects through her paintings, allowing people to recognize larger-scale interconnections without embedding past biases and denials. Her contemplation and realization of nature and the universe condense the vague existence stacked in memory into the indescribable "truth in perception." Viewing Li Feiwen's work evokes sincere emotions, as if the actual realm of life existing in the distance is portrayed.
In "Gently . Tenderly," the reconsideration of "sensation, nature, landscape, and abstraction" delves into the profound realms of the artist's life—a difficult-to-express state, perhaps slow, perhaps gentle, concealing strong flows and graceful spontaneity within. The exhibition focuses on shaping these feeling clusters, becoming an embodiment of contemporary abstract spiritual landscapes. It goes beyond memory stacking, condensing consciousness—a state of elevation detached from the body, interweaving visual perception and artistic beliefs. Temporarily fading attention from the visible reality, it attempts to move beyond the inherent representations of things, facing the unsettling world on this side with a warm and composed attitude. In this firm and gentle stance, Li Feiwen actively embraces all that is unknown.
The mission of art is not only to make universal aspects visible in everyday things but also to liberate the universal from the confines of the mundane.
(文・林郁晉 Text by Lin Yu-Chin)
個展
- 2023
「今日，風光燦爛」 _ 一票人票畫空間 _ 台北 - 2022
「霧杳如煙」 _ 當代一畫廊 _ 台北 - 2013
「逆旅，後綻放」 _ 當代一畫廊 _ 台北
聯展
- 2023
「2023 WHATZ A Brush with Luxury」 _ WHATZ ART FAIR _ 新加坡康萊德酒店 _ 新加坡
「冬雨 遠山 近海 _ 宜蘭當代女性藝術家」 _ 宜蘭美術館 _ 宜蘭 - 2022
2022 台北國際藝術博覽會 _ 台北世貿中心 _ 台北 - 2018
台灣當代一年展 _ 花博爭艷館 _ 台北 - 2016
「<+ /- >」 空場藝術家年末聯展 _ 空場藝術聚落 _ 台北
「彼得潘去哪兒?」 _ 藝術銀行 _ 台北
「up26 震在一起 賑災義賣會」_ 空場藝術聚落 _ 台北 - 2014
2014 台北國際當代藝術博覽會(Young Art Taipei) _ 晶華酒店 _ 台北
The island _ 一票人票畫空間 _ 台北 - 2013
圓環藝勢力：藝術創作櫥窗「15+1」 藝術進駐成果展 _ 興洋建設展覽空間 _ 台北 - 2012
圓環藝勢力：Arts Core 進駐計畫 _ 興洋建設展覽空間 _ 台北 - 2011
「Perceive 有感」 _ 台北當代藝術中心 TCAT _ 台北
2011 大阪藝術博覽會 (Art Osaka) _ Hotel Granvia Osaka _ 大阪 _ 日本
2011 台北國際當代藝術博覽會 (Young Art Taipei) _ 王朝大酒店 _ 台北
Y.E.S Taiwan III (Young Emerging Stars.Taiwan III) _ 也趣藝廊 _ 台北
作品典藏
- 2016
< 花園裡的秘密 > _ 白兔美術館 _ 雪梨 _ 澳洲
< 過眼雲煙 > _ 白兔美術館 _ 雪梨 _ 澳洲
< 粉紅男子 > _ 白兔美術館 _ 雪梨 _ 澳洲 - 2013
< 嬉遊 > _ 藝術銀行 _ 台中 _ 台灣
< 春日蜉蝣 > _ 藝術銀行 _ 台中 _ 台灣
< 繽紛之翼 > _ 藝術銀行 _ 台中 _ 台灣
Solo Exhibition
- 2023
“Today, Splendid Scenery”, PiaoPiao Art, Taipei - 2022
“Mist Meditation” Li Fei Wen Exhibition，A gallery，Taipei - 2013
“Bloom”，A gallery，Taipei
Group Exhibition
- 2023
“2023 WHATZ A Brush With Luxury”, WHATZ ART FAIR, Conrad Centennial singaporei, Singapore
“Winter Mountain,Rain and Sea-Sontemporary Female Artists of Yilan”，Yilan Museum of Art，Yilan - 2022
2022 ART TAIPEI，Taipei World Trade Center，Taipei - 2018
TAIWAN ANNUAL, Taipei Expo Park Expo Dome, Taipei - 2016
“Polymer Annual Production <+ /- >”, Polymer Art Space, Taipei
“Explore the Life”, Art Bank, Taichung
“up26 Disaster relief sale”, Polymer Art Space, Taipei - 2014
2014 Young Art Taipei, Regent Taipei, Taipei
“The island”，PiaoPiao Gallery, Taipei - 2013
Arts Core ”15+1”, Exhibition space of Xingyang Construction co.,Ltd, Taipei北 - 2012
Arts Core Artists Village, Exhibition space of Xingyang Construction co.,Ltd, Taipei - 2011
“Perceive”, TCAC, Taipei
2011 Art Osaka, Hotel Granvia Osaka, Osaka
2011 Young Art Taipei, Sunworld Dynasty Hotel, Taipei
Y.E.S Taiwan III (Young Emerging Stars. Taiwan III), Aki Gallery, Taipei
Collection
- 2016
<The secret in the garden>, White Rabbit Art Museum, Sydney, Australia
<Memories passing through>，White Rabbit Art Museum, Sydney, Australia
<Pink Man>，White Rabbit Art Museum, Sydney, Australia - 2013
<Playful play>, ART BANK TAIWAN, Taichung, Taiwan
<Ephemera in Spring>, ART BANK TAIWAN, Taichung, Taiwan
<Colorful Wing>, ART BANK TAIWAN, Taichung, Taiwan
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