[ 幸旅芳蹤 ]
何幸芳 襲園個展
2023.10.21 (六) - 2024.01.27 (六)
[ 幸旅芳蹤 ]
開幕茶會｜ 2023.10.28 (六) 14：00 - 16：00
策展人 ｜ 林郁晉 Lin Yu Jun
展覽時間｜ 2023.10.21 (六) - 2024.01.27 (六)
展覽地點｜ 襲園美術館 桃園市中壢區青埔九街57號
協辦單位：僕人空間設計有限公司、襲園生活應用頻道有限公司
[ 幸旅芳蹤 ]
生命是一場不斷地擠身前進的旅程
而我們在其中不斷拾起曾丟失的蹤跡
透過繪畫創作，
何幸芳捕捉自己過去記憶的碎片，
試圖在生活中抓住那些轉瞬即逝的珍貴靈光，
同時運用某種非線性時間的邏輯方法，回應這個快速且碎片化的時代。
她的作品以東方繪畫為基底，並藉由紙張本身纖維的隨機性排列，
試圖呈現不同物種內部所展現出的共通網絡，並將這些零碎的片段再次交織，
成為她進一步探索生命本質的方法。
生命是一場不斷地擠身前進的旅程
而我們在其中不斷拾起曾丟失的蹤跡
透過繪畫創作，
何幸芳捕捉自己過去記憶的碎片，
試圖在生活中抓住那些轉瞬即逝的珍貴靈光，
同時運用某種非線性時間的邏輯方法，回應這個快速且碎片化的時代。
她的作品以東方繪畫為基底，並藉由紙張本身纖維的隨機性排列，
試圖呈現不同物種內部所展現出的共通網絡，並將這些零碎的片段再次交織，
成為她進一步探索生命本質的方法。
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何幸芳 Ho Hsing Fang 何幸芳，生於1967年，出生於台灣新竹。 透過繪畫創作，她捕捉自己過去記憶的碎片，試圖在生活中抓住那些轉瞬即逝的珍貴靈光，同時運用某種非線性時間的邏輯方法，回應這個快速且碎片化的時代。擁有獸醫系的背景，何幸芳將過去學習的經驗融入她的創作。她試圖解構不同物種外表所蘊含的張力，透過顯微 |
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鏡的觀察，發現雖然不同生物外表各異，但細胞組成卻呈現某種共通的結構。她的作品以東方繪畫為基底，並藉由紙張本身纖維的隨機性排列，試圖呈現不同物種內部所展現出的共通網絡，並將這些零碎的片段再次交織，成為她進一步探索生命本質的方法。
近期重要的展覽包括：「1M² 的風景」（2023，大象藝術空間館）、「台中藝術博覽會」（2022，台中）、「一瞬之光」（2021，寬藝術空間）、「南京國際博覽中心」（2018，南京）。
Ho Hsing Fang, born in 1967, hails from Hsinchu, Taiwan.
Through her artistic creations, she captures fragments of her own past memories, attempting to seize those fleeting moments of precious inspiration in life. Simultaneously employing a form of non-linear temporal logic, she responds to the rapid and fragmented nature of this era. With a background in veterinary science, Ho Hsing Fang incorporates her past learning experiences into her artistic endeavors. She endeavors to deconstruct the tensions encapsulated in the appearances of diverse species, using observations through microscopes to unveil that despite differing external forms, there exists a common underlying cellular structure. Rooted in Eastern artistic traditions, her works utilize the random arrangement of paper fibers to present the shared networks inherent within different species' interiors. She intricately weaves these fragmented pieces anew, crafting a method for her to further explore the essence of life.
Recent significant exhibitions include "1M² Landscapes" (Da Xiang Art Space,2023), "Taichung Art Expo" (Taichung, 2022), "A moment of ligh" (kuan art space, 2021), and "Nanjing International Expo Center" (Nanjing2, 2018)
近期重要的展覽包括：「1M² 的風景」（2023，大象藝術空間館）、「台中藝術博覽會」（2022，台中）、「一瞬之光」（2021，寬藝術空間）、「南京國際博覽中心」（2018，南京）。
Ho Hsing Fang, born in 1967, hails from Hsinchu, Taiwan.
Through her artistic creations, she captures fragments of her own past memories, attempting to seize those fleeting moments of precious inspiration in life. Simultaneously employing a form of non-linear temporal logic, she responds to the rapid and fragmented nature of this era. With a background in veterinary science, Ho Hsing Fang incorporates her past learning experiences into her artistic endeavors. She endeavors to deconstruct the tensions encapsulated in the appearances of diverse species, using observations through microscopes to unveil that despite differing external forms, there exists a common underlying cellular structure. Rooted in Eastern artistic traditions, her works utilize the random arrangement of paper fibers to present the shared networks inherent within different species' interiors. She intricately weaves these fragmented pieces anew, crafting a method for her to further explore the essence of life.
Recent significant exhibitions include "1M² Landscapes" (Da Xiang Art Space,2023), "Taichung Art Expo" (Taichung, 2022), "A moment of ligh" (kuan art space, 2021), and "Nanjing International Expo Center" (Nanjing2, 2018)
以繪畫為媒介，何幸芳呈現了對思念和生命的深刻探索，捕捉著記憶的碎片，回溯身份及自我成形的提問，並以非線性的時間邏輯回應快速且碎片化的時代。起初，她以金黃色的阿勃勒（Cassia fistula）象徵對外婆的思念，近來她回顧自身在獸醫領域的背景，透過顯微鏡的觀察，發現不同動、植物儘管外表各異，卻在細胞組織中擁有共通的樣貌。何幸芳專注於人與自然界的關係以及存在的多樣性形式，從宏觀的山水風景深入至細胞結構的微觀探索，呈現出生物內部的共通網絡，並以此反思自我主體性的成長姿態，成為一次穿梭的契機，透過作品去認識更大尺度的相互關係。
本次展覽《幸旅芳蹤－何幸芳襲園個展》，我們試圖深入探索藝術家的生命之旅，並將其創作視為生命本質所匯集出的結果。同時在梳理個人生命史的過程中，將過去的描繪以及未來的定義重新排列，讓當下的個人生命主體性指向跨時空的移動。至此，作品成為記憶外置化的檔案，描述了主體性在時間軸上的形成。何幸芳的創作不僅是對持續滾動的過去、現在、未來的反思，更是對自由和身份的「再認識」，成為映照出個人生命本質的意義。
《幸旅芳蹤》展現了藝術家對生命的感性經驗，透過藝術的轉化審視自己與生命的連結。透過創作何幸芳試圖重構生命的事件、擺脫線性邏輯的單一史觀，更是嘗試把「可說（said）/可看（seen）」之形式，推展到行動（do）的實踐上，在漫長的進程中，以主體織出一張與世界連接的網。
生命是一場不斷地擠身前進的旅程，而我們在其中不斷拾起曾丟失的蹤跡。
Using painting as a medium, Ho Hsing Fan g presents a profound exploration of nostalgia and life, capturing fragments of memories and delving into questions of identity and self-formation. She responds to the fast-paced and fragmented era with a non-linear temporal logic. Initially, she used the golden cassia fistula to symbolize her longing for her grandmother. Recently, she revisited her background in veterinary medicine and, through microscopic observation, discovered that different animals and plants, despite their diverse appearances, share common features within their cell structures. Ho Hsing Fan focuses on the relationship between humans and the natural world and the diversity of existence. Her creative approach extends from the macroscopic characteristics of landscapes to the microscopic exploration of cell structures, revealing a shared network within living organisms. Through her work, she reflects on the growth of self-identity, offering a gateway to understanding larger-scale interrelationships.
In the exhibition " Journey of Happiness: Ho Hsing Fan's Solo Exhibition," we delve into the artist's life journey and view her creations as a culmination of life's essence. Throughout the process of revisiting her personal life history, past depictions are rearranged, and future definitions are redefined, guiding the present-day individual's life subjectivity toward cross-temporal movement. Consequently, the artworks become externalized archives of memories, depicting how subjectivity takes shape along the timeline. Ho Hsing Fan's creations are not just reflections on the constantly evolving past, present, and future but also a process of "reacquainting" with freedom and identity, providing a reflection of the essence of individual life.
" Journey of Happiness " showcases the artist's sensory experiences of life, inviting viewers to examine their connections to life through the transformation of art. The exhibition offers an opportunity to explore the past, reflect on our current positions and attitudes, and attempt to understand the essence of "human subjectivity" in contemporary society from different perspectives. By reconstructing life events through artistic creation, it becomes a single historical framework gathered beyond linear logic. The shaping of the individual's "subject" is closer to an unfolding of "subjectivity," a process-based subjectivity that isn't bound by regulations or frameworks. Finally, in this exhibition, Ho Hsing Fan endeavors to translate the "say/see" form into practical action ("do"), reexamining the relationship between the self and life, as well as how subjectivity weaves a network connected to the world during its burgeoning process.
Life is an unceasing journey of pressing forward,
where we continuously retrieve the footprints once lost along the way.
(文・林郁晉 Text by Lin Yu-Chin)
本次展覽《幸旅芳蹤－何幸芳襲園個展》，我們試圖深入探索藝術家的生命之旅，並將其創作視為生命本質所匯集出的結果。同時在梳理個人生命史的過程中，將過去的描繪以及未來的定義重新排列，讓當下的個人生命主體性指向跨時空的移動。至此，作品成為記憶外置化的檔案，描述了主體性在時間軸上的形成。何幸芳的創作不僅是對持續滾動的過去、現在、未來的反思，更是對自由和身份的「再認識」，成為映照出個人生命本質的意義。
《幸旅芳蹤》展現了藝術家對生命的感性經驗，透過藝術的轉化審視自己與生命的連結。透過創作何幸芳試圖重構生命的事件、擺脫線性邏輯的單一史觀，更是嘗試把「可說（said）/可看（seen）」之形式，推展到行動（do）的實踐上，在漫長的進程中，以主體織出一張與世界連接的網。
生命是一場不斷地擠身前進的旅程，而我們在其中不斷拾起曾丟失的蹤跡。
Using painting as a medium, Ho Hsing Fan g presents a profound exploration of nostalgia and life, capturing fragments of memories and delving into questions of identity and self-formation. She responds to the fast-paced and fragmented era with a non-linear temporal logic. Initially, she used the golden cassia fistula to symbolize her longing for her grandmother. Recently, she revisited her background in veterinary medicine and, through microscopic observation, discovered that different animals and plants, despite their diverse appearances, share common features within their cell structures. Ho Hsing Fan focuses on the relationship between humans and the natural world and the diversity of existence. Her creative approach extends from the macroscopic characteristics of landscapes to the microscopic exploration of cell structures, revealing a shared network within living organisms. Through her work, she reflects on the growth of self-identity, offering a gateway to understanding larger-scale interrelationships.
In the exhibition " Journey of Happiness: Ho Hsing Fan's Solo Exhibition," we delve into the artist's life journey and view her creations as a culmination of life's essence. Throughout the process of revisiting her personal life history, past depictions are rearranged, and future definitions are redefined, guiding the present-day individual's life subjectivity toward cross-temporal movement. Consequently, the artworks become externalized archives of memories, depicting how subjectivity takes shape along the timeline. Ho Hsing Fan's creations are not just reflections on the constantly evolving past, present, and future but also a process of "reacquainting" with freedom and identity, providing a reflection of the essence of individual life.
" Journey of Happiness " showcases the artist's sensory experiences of life, inviting viewers to examine their connections to life through the transformation of art. The exhibition offers an opportunity to explore the past, reflect on our current positions and attitudes, and attempt to understand the essence of "human subjectivity" in contemporary society from different perspectives. By reconstructing life events through artistic creation, it becomes a single historical framework gathered beyond linear logic. The shaping of the individual's "subject" is closer to an unfolding of "subjectivity," a process-based subjectivity that isn't bound by regulations or frameworks. Finally, in this exhibition, Ho Hsing Fan endeavors to translate the "say/see" form into practical action ("do"), reexamining the relationship between the self and life, as well as how subjectivity weaves a network connected to the world during its burgeoning process.
Life is an unceasing journey of pressing forward,
where we continuously retrieve the footprints once lost along the way.
(文・林郁晉 Text by Lin Yu-Chin)
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